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Film is merely 100 year old medium, but it became the main form of expression and communication. Will the next millenium make us all into filmmakers?
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Film language is powerful. Do we abuse it? Do we know when movies end and films begin?
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Notes on the Cinematographer (Sun & Moon Classics Series , No 124) by Robert Bresson

From 1950 to 1974, French film director Bresson ( Pickpocket, Mouchette wrote notes for his own use, and over 450 of those brief reflections were collected for this slim volume. The casual but succinct observations, presented here three or four to a page, consist of short paragraphs or single sentences. Some are fragmentary phrases: "Passionate for the appropriate." Some are self-directed: "Apply myself to insignificant (non-significant) image." Some are maxims: "Empty the pond to get the fish." Some are quotations: "Cezanne: 'At each touch I risk my life.' " Some are questions: "Is it for singing always the same song that the nightingale is so admired?" All demonstrate a scintillating curiosity and quest for perfection. Film Theory and Criticism: Introductory Readings

Film Theory: An Introduction

This book is a lively and provoking introduction to film theory. It is suitable for students from any discipline but is particularly aimed at students studying film and literature as it examines issues common to both subjects such as realism, illusionism, narration, point of view, style, semiotics, psychoanalysis and multiculturalism. It also includes coverage of theorists common to both, Barthes, Lacan and Bakhtin among others. Robert Stam, renowned for his clarity of writing, will also include studies of cinema specialists providing readers with a depth of reference not generally available outside the field of film studies itself. Other material covered includes film adaptations of works of literature and analogies between literary and film criticism.

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Film Theory and Philosophy

This volume of new essays energizes a growing movement in film theory which questions and seeks to overturn many of the assumptions that have governed film theory for the last twenty years. The book brings together film scholars and philosophers in a united commitment to the standards of argumentation that characterize analytic philosophy rather than a single doctrinal approach. The essays address such topics as authorship, emotion, ideology, representation, and expression in film.

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[FilMining] NetLinks:		[today] In the Spotlight:
Concept Method Acting Cinema Camera Editing Scripting Acting for the Camera Sound Schools Publications Books Production Pre-production Theory Film & Arts Drama in Film Films v. Movies Virtual Theatre Bergman Tarkovsky Directing E-group Film-Web Sources Film-Philosophy More Links		Film Century Film is merely 100 year old medium, but it became the main form of expression and communication. Will the next millenium make us all into filmmakers? Making Movies It's cheap and easy. What did you do with your video-camera today? Movies and Pop-Culture Film language is powerful. Do we abuse it? Do we know when movies end and films begin? Postmodern Film Theories New film theories are the most fasinating philosophical trends today. Did you ever hear about "Simulacra"? Film & Web It's coming -- the marriage of your computer and the movies. You thought that we spent too much time in of the screen? Wait and see!

[InterActive] Community		[Buy IT!] Shopping
Film with Anatoly Guide How to contact me and where to go to find the answers. FAQ about what I know and what I don't. Film-North It was almost 30 years ago when I was an editor-in-chief of the weekly "Young Filmmaker"; it was in Moscow. Bulletin Board Visit Film-North Bulletin Board, read, write, ask, answer. Do you have a new script? Do you need one? Actors? Events? Chat? This is tricky -- I live on Alaskan time, dear chatters, we have to schedule it, but you are free to use chatroom at all hours.		F-Bookstore Browse film bookshelfs. Students Actors & Directors. Virtual Theatre Anatoly G. Antohin