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Teaching, Writing, Film -- directing + theory, Webbing, 2006

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"On Photography" Susan Sontag :

* 'Photographing is essentially an act of non-intervention...

The film theorist Christian Metz made an analogy between the cinema screen and a mirror (Metz 1975), arguing that through identifying with the gaze of the camera, the cinema spectator re-enacts what the psychoanalytic theorist Jacques Lacan called 'the mirror stage', a stage at which looking into the mirror allows the infant to see itself for the first time as other - a significant step in ego formation. Extending this observation to still photography, Catherine Lutz and Jane Collins observe that 'mirror and camera are tools of self-reflection and surveillance. Each creates a double of the self, a second figure who can be examined more closely than the original - a double that can also be alienated from the self - taken away, as a photograph can be, to another place' (Lutz & Collins 1994, 376).

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From Film

2004: Tripod lost a lot of my pages: this is one of them!




Sight, Sound, Motion: Applied Media Aesthetics Developed at San Francisco State University, this textbook isolates the five fundamental image elements of television and film--light and color, 2D space, 3D space, time/motion, and sound--examines their aesthetic characteristics and potentials, and structures them in their respective aesthetic fields. The fourth edition adds sections on inductive shot sequences, electronic cinema, and alternative storytelling techniques. ***


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–ежиссеры бывают двух видов: одни думают, что они боги, другие знают это точно. (–етта ’ьюз)

Film Acting: Eisenstein vs. Pudovkin (two original concepts) * ©2004 filmplus.org *

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