classes * amazon.com *
2005: The purpose of my online production books was to assist myself, cast and crew during pre-production and rehearsal periods. After the show is over I use webpages for my classes: directing, acting, drama.
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How to Read a FilmSubscribe to Open Class @ 200x Aesthetics Acting 121Playscript Analysis Fall'00 3 Sisters List: must subscribe! WWWilde Y2K 3 Sisters List will be used for class, since this is your last chance to learn Method Acting.
Use the online scripts for monologues and scene studies.
"0" stands for "oral intensive" designator.
Acting majors must have thesis (major role) before graduating.
prof. Anatoly Antohin Theatre UAF Fairbanks AK USA
New UAF students must complete Assessment Form! Mailing List & News -- subscribe yourself * [Archive page] Film Directing * flickr.com/groups/stage * SummaryQuestionsEvaluation of Directing:
Interpretation/Concept: Visual Elements: Aesthetics: Ensemble: Acting:Names of Principle Actors and Characters:Supporting Actors & Characters: Evaluating the Designs:Scene Designer/Set:Costumes: Makeup: Lighting: Sound: NotesActingland.com - Acting resources, career guides, and casting informationAfter 2009 : classes.vtheatre.net Fall 2003: THR413 * Playscript Analysis Textbook: Method Acting * Stanislavsky on Stanislavsky Terminology *
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Refinement of physical, emotional and imaginative awareness. Introduction of character building methods. Study and performance of scenes and short plays. Introduction of audition techniques. (Prerequisite: THR 221, or permission of the instructor. Oral intensive course.)
Grading:
Midterm 20%
Final 30%
Journal 10%
Two Monologues 10% (each) = 20%
Test 1, 2 10%, 10%
Test on Acting Theory and Terminology. Scenes: 10 min (2-3 characters) one for Midterm, one for Finals. Journal: min. 3 times a week, 2-3 pp. each time. Scheduled conferences: one before Midterm and one after. Must attend all Theatre UAF productions. Each missed class without a note - reduced grade. Extra credit for extra work.
[2] Resume due. Types of Monologues. Script breakdown: Objectives and Obstacles. Self-casting: You and Your Role/Character. Meyerhold's formula for actors & Biomechanics.
[4] Acting and Action: System, Method and Biomechanics. Movement: Acting Cycle. Characters v. Roles. Inner Conflict. Actor's text: performance.
[6] Set: Time-Space construction. Self-Directing: Floor plan, Mise-en-Scene.
[8] Rehearsal Methods: Improvisation for character development. Test 1 (try one online MCTest or 121 Test).
[10] Audition Techniques: Cold Reading. Dramatic analysis and interpretation. (For more see "Theatre with Anatoly" Main Guide)
[12] Space and Time exercises. Self-blocking.
[14] Video 2: Monologue into scene. (For more on film go https://members.tripod.com/~afronord)
[16] Midterm: Scenes and analysis.
[18] Class project. Scenes selection for the Final due -- casting
[20] Rehearsal technics: the componet parts of actions. Imagination and execution of choices. Check list.
[22] Emotional Articulation: voice. Levels.
[24] Actor's Scenic Development: Prop and Costumes. Test 2
[26] Review Time: Rhythm and Tempo. Journals due. Class project run-through (Scenes).
[28] Biomechanics as Style.
-- Public presentations.
Finals: Lab Theatre.
Attention: audition for "The Importance of Being Earnest" Read the Play!
Check Theatre UAF Master Calendar for our Fall'00 productions; must attend UAF season (each in class has one comp ticket for each show). Auditioning for all UAF shows (strongly recommended)! Additional (extra) credits for working with Student Directors (See Student Drama Association (SDA) and UAF Film Club for details). Master File THR 321 Advanced Acting is on reserve in the library.
Also, bookmark the 3sis webpage http://www.egroups.com/group/3sis
2005-2006 Theatre UAF Season: Four Farces + One Funeral & Godot'06
Film-North * Anatoly Antohin
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