2008 -- biomechanics.vtheatre.net/221 [archive]

Intermediate Acting : lessons

NEW & Notes

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... 2009 :

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Anatoly After Theatre UAF


Spring 2007 : NEW class list/forum [google.com/group/acting2]

Directing -- google.com/group/directing

ACTING II * ActJokes: Click to View or Add Text.

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I plan to focus the Acting II on Biomechanics (Meyerhold) and Acting III on Method (Stanislavsky).

Use the BioMX webpages to save time in class from my lectures on acting theory. The use of Method Acting and Biomechanics Forums is required.

Texts and Exams in the Classes Directory

SpectatorBook
Theory of Spectatorship
THR221 Intermediate Acting
GeoAlaska: Acting, Directing, Theory, Shows, Books
GeoAlaska: Theatre & Film
Meyerhold, Directing Books
Bio
biomechanics.vtheatre.net

Spring 2003: Don Juan

See!
film books
See!
virtual theatre
THR121 Fundamentals of Acting Fall 2004
Directing Showcases
ShowCases: 3 Sisters, Mikado, 12th Night, Hamlet, The Importance of Being Earnest, Dangerous Liaisons, Don Juan
prof. Anatoly Antohin Theatre UAF AK 99775 USA
Film-Classes
2006 *
* stageplays *
Textbook 2002 Spring: "Actors on Acting"

Virtual Theatre

The main difference between the art of the actor and all other arts is that every other [non-performing] artist may create whenever he is in the mood of inspiration. But the artist of the stage must be the master of his own inspiration, and must know how to call it forth at the hour announced on the posters of the theatre. This is the chief secret of our art. Konstantin Stanislavsky

Summary

2004: THR221 Intermediate Acting now has it own directory @ biomechanics.vtheatre.net, which has its own domain meyerhold.us!


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One Act Fest
Vsevolod Meyerhold (new)

Notes

Next? stanislavsky.us (Method)
filmplus
2004 & After

Directing THR331 Fundamentals *

...


INDEX * fundamentals of acting * Theatre w/Anatoly * Virtual Theatre
* Theatre Theory * Virtual Theatre Forum * Classes * Method * StageMatrix: Directing * Script Analysis * Shows * Spectator * Plays * FilmMaking 101 * vTheatre * 200X Aesthetics * Mailing List & News -- subscribe yourself * BM+ * Anatoly Film Blog & thr blog

[ archive ]

ACTING TWO

THR 221 INTERMEDIATE ACTING

UNIVERSITY OF ALASKA FAIRBANKS
Spring 2002
PROF. ANATOLY ANTOHIN

TIMES: 2.00 - 3:20 pm T,R
THEATRE 101 (GREEN ROOM)
OFFICE HOURS: by appointment, T,R
OFFICE PHONE: 474-7754
ffaga@uaf.edu

Continued development of physical, emotional and imaginative awareness. Method Acting and Biomechanics. Text and character analysis, scene and monologue study and presentation. Introduction to improvisation. (Prerequisite: THR121, or permission of the instructor.)

Textbook: ACTORS on ACTING
Recommended: Directing Actors, by Judith Weston (Directing Class -- required textbook)

Grading: Midterm (scene) 20%
Final (scene) 30%
Journal 10%
Two Monologues 10% (each) = 20%
Test 1, 2 = 10%, 10%

Tests are on Acting Theory and Terminology (Textbook reading). Scenes: 10 min (2-3 characters) one for Midterm, one for Finals. Journal: min. 3 times a week, 2-3 pp. each time. Scheduled conferences: one before Midterm and one after. Must attend all Theatre UAF productions. Each missed class without a note -- reduced grade.

Schedule:

[1] 1/17 Introduction and Overview. Textbook -- How-To. Resume & Audition portfolio. Monologue -- Text and Performance. (THR121 reviewed). What is Method Acting? Improvisation for Characterization. Physicalization.

[2] Resume due. Two Monologues (Drama and Comedy) and their structure (Aristotle). Script breakdown: Objectives and Obstacles. You and Your Role/Character. Meyerhold's formula for actors. Chapters. 1-2.

[3] Drama monologue due. Realism. "Actor's Text": Stage Languages and Audience. Actor's space and Acting areas. Ch. 3-4.

[4] Acting and Action: System, Method and Biomechanics. Movement: Acting Cycle. Characters and Roles. Inner Conflict and Inner Monologue. Actor's Text = Performance. Ch. 5.

[5] Review: Situations & Circumstances. Choices. Improv for sitcom. Comedy mode.

[6] Set: Time-Space construction. Self-Directing: Floor plan. Mise-en-scene.

[7] Comedy Monologue due. Scenes: breakdown. Research and preparaton. Scene selection for Midterm due.

[8] Rehearsal Methods: Improvisation for character development. Ch. 10. TEST 1.

[9] Subtext & Countertext. Character's "History" and Emotional Recall (Method).

[10] Audition techniques: Cold reading. Dramatic analysis and interpretation.

[11] "Myself and the Other": group workshop. Improv for Scene development.

[12] Space and Time exercises. Self-blocking.

[13] Video project.
2004+ new:

projects: BM software

texts: Meyerhold

webpages: new BM directory for Spring 2004!

Links

Shrew04

playsChekhov, Ibsen, Shakespeare

Actingland.com - Acting resources, career guides, and casting information.

Farces
2008 --

ReadSpeaker AudioFeed - Podcast of this blog

[ Notes: The syllabus is updated on weekly basis. ]


TOPICS: drama + comedy + postmodern + time + space + theory + BioMethod + objectives & obctacles + film + students + theatre w/anatoly +
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Fall 2003: 5 Approaches to Acting (textbook for Acting 121), David Kaplan

Part I. Task (Method)
Chapter 1. Stanislavsky
Chapter 2. Obstacles
Chapter 3. Stanislavsky's Legacy

Part II. Episodes

Chapter 4. Brecht
Chapter 5. Combining Episodes
Chapter 6. Meyerhold

Part III. Images

Chapter 7. Masks
Chapter 8. The Language of Mask

Part IV. The World of the Play

Chapter 9. Comparison
Chapter 10. Rules

Part V. Telling a Story

Chapter 11. Storytelling
Chapter 12. Dramatic Action
Chapter 13. Shakespeare

Part VI. Comparing Approaches
Chapter 14. Comparing
Chapter 15. Choosing an Approach
Chapter 16. Combining Approaches


acting2

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An online course supplement * 2005-2006 Theatre UAF Season: Four Farces + One Funeral & Godot'06
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Acting amazon

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