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Vsevolod Meyerhold by Jonathan Pitches; Routledge, 2003 - 1: A Life of Contradictions - 2: Meyerhold's Key Writings - 3: Meyerhold's Key Production - 4: Practical Exercises

Playwrights

What is the difference between a dictionary, a lexicon, and a glossary?
These reference books have slightly different denotations. A glossary is a specialized vocabulary with definitions but does not provide other information about the words. A glossary may also be called a vocabulary. A lexicon is generally an alphabetically-arranged list of words with their definitions, but the term does not imply that other information about the words is included. However, a lexicon can be used to mean glossary or dictionary, in which case it would contain what each of those words' definitions entail. Lexicon is considered by some to be a more formal word for dictionary. A dictionary is a reference book consisting of an alphabetically-arranged list of words with their definitions, as well as any or all of these: forms (spellings), pronunciations, functions (parts of speech), etymologies, and syntactical and idiomatic uses. So, dictionary is usually reserved for the more comprehensive type of word book. Lexicon's etymology is Greek, while dictionary's is Latin.

{*} THEATRE ... Director's Mind, Directions and Actor's choices : I have pages/chapters on DIRECTOR in Acting 1, 2, 3, Total Actor!

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references:
books ref. (old) page *
* A Book about the Theater by Brander Matthews; C. Scribner's Sons, 1916 - I: THE SHOW BUSINESS - II: THE LIMITATIONS OF THE STAGE - III: A MORAL FROM A TOY THEATER - IV: WHY FIVE ACTS? - V: DRAMATIC COLLABORATION - VI: THE DRAMATIZATION OF NOVELS AND THE NOVELIZATION OF PLAYS - VII: WOMEN DRAMATISTS - VIII: THE EVOLUTION OF SCENE-PAINTING - IX: THE BOOK OF THE OPERA - X: THE POETRY OF THE DANCE - XI: THE PRINCIPLES OF PANTOMIME - XII: THE IDEAL OF THE ACROBAT - XIII: THE DECLINE AND FALL OF NEGRO-MINSTRELSY - XIV: THE UTILITY OF THE VARIETY-SHOW - XV: THE METHOD OF MODERN MAGIC - XVI: THE LAMENTABLE TRAGEDY OF PUNCH AND JUDY - XVII: THE PUPPET-PLAY, PAST AND PRESENT - XVIII: SHADOW-PANTOMIME WITH ALL THE MODERN IMPROVEMENTS - XIX: THE PROBLEM OF DRAMATIC CRITICISM
An Actor's Handbook: An Alphabetical Arrangement of Concise Statements on Aspects of Acting by Elizabeth Reynolds Hapgood, Constantin Stanislavsky; Theatre Arts Books, 1963
* The Russian Theatre by Oliver M. Sayler; Brentano's, 1922 - The Russian Theatre - Chapter II The World's First Theatre - Chapter III "The Blue Bird" and Stanislavsky - Chapter IV The Plays of Tchehoff at the Art Theatre - Chapter V From Turgenieff to Gorky at the Art Theatre - Chapter VI The Studios of the Moscow Art Theatre - Chapter VIII The Deeper Roots of the Russian Theatre - Chapter IX The Kamerny, a Theatre of Revolt - Chapter X "Salome" in Cubist Vesture - Chapter XI A Bacchanale and Some Others at the Kamerny - Chapter XII Here and There in Moscow Theatres - Chapter XIV Yevreynoff and Monodrama - Chapter XV Russian Theories of the Theatre - Chapter XVI The Path of Storm - Chapter XVII "Plus �a Change" - Chapter XVIII The Russian Theatre in America - Chapter XIX The Spirit of the Russian Theatre
The Theatre and Dramatic Theory by Allardyce Nicoll; Barnes & Noble, 1962 - I The Theatre - 2 The Drama - 3 The Dramatic Kinds - 4 Tragedy - 5 Comedy - 6 Dramatic Dialogue
On Stage a History of Theatre by Vera Mowry Roberts; Harper & Row, 1962 - 1: The Ever-Present Beginnings - 2: Drama in Ancient Egypt - 3: The Golden Age of Greece - 4: Imitations and Innovations of the Romans - 5: Theatre in the Middle Ages - 6: Renaissance Theatre in Italy, France, and Germany - 7: Shakespeare and the Elizabethans - 8: Spanish Theatre in the Renaissance - 9: The Golden Days in France - 10: The Restoration in England - 11: Developments in England and America - 12: Cross-Currents in Continental Theatre - 13: Oriental Theatre - 14: European Romanticism - 15: Commercial Theatre in England and America - 16: Theatre's Great Revolution - 17: Theatre Today - 18: Summing Up - Glossary of Terms
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bibliography Theories of Theatre * Professor Jenn Stephenson ***
Introduction to Theatre: Theatre Theory ***
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