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Anatoly's Amazon Profile
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2007
[ advertising space : webmaster ] text LINKS Theatrical Directors: A Biographical Dictionary by John W. Frick, Stephen M. Vallillo; Greenwood, 1994 Theatre: Essays on the Arts of the Theatre by Edith J. R. Isaacs; Little, Brown, and Company, 1927
To the Actor: On the Technique of Acting by Michael Chekhov, Nicolai Remisoff; Harper & Row, 1953 - Chapter 1: The Actor's Body and Psychology
- Chapter 2: Imagination and Incorporation of Images
- Chapter 3: Improvisation and Ensemble
- Chapter 4: The Atmosphere and Individual Feelings
- Chapter 5: The Psychological Gesture
- Chapter 6: Character and Characterization
- Chapter 7: Creative Individuality
- Chapter 8: Composition of the Performance
- Chapter 9: Different Types of Performances
- Chapter 10 How to Approach the Part
The Director and the Stage: From Naturalism to Grotowski by Edward Braun; Holmes & Meier, 1982
- I. The Meiningen Theatre
- 2. Antoine and the Theatre Libre
- 3. The Symbolist Theatre
- 4. Alfred Jarry
- 5. Stanislavsky and Chekhov
- 6. Edward Gordon Craig
- 7. Max Reinhardt in Germany and Austria
- 8. Meyerhold - the First Five Years
- 9. Meyerhold - Theatre as Propaganda
- 10. Piscator in Berlin
- Ii. Brecht's Formative Years
- 12. Artaud's Theatre of Cruelty
- 13. Grotowski's Laboratory Theatre
Stillness in Motion in the Seventeenth Century Theatre by P. A. Skantze; Routledge, 2003
Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre by Helen Higbee, Robert Weimann, William West; Cambridge University Press, 2000
The Theatre of Garcia Lorca by Robert Lima; Las Americas Publishing, 1963
Theatre and Humanism: English Drama in the Sixteenth Century by Kent Cartwright; Cambridge University Press, 1999
Commedia Dell'arte Performance: Context and Contents by Southeastern Theatre Conference; University of Alabama Press, 1993
Hamlet on Stage: The Great Tradition by John A. Mills; Greenwood Press, 1985
Guide to Great Plays by Joseph T. Shipley; Public Affairs Press, 1956
[ directing biblio + books ]
Elizabethan Drama, 1558-1642: A History of the Drama in England from the Accession of Queen Elizabeth to the Closing of the Theaters Vol. 2 by Felix E. Schelling; Houghton Mifflin & Company, 1908
Avant Garde Theatre, 1892-1992 by Christopher Innes; Routledge, 1993 - 1: Introduction
- 2: The Politics of Primitivism
- 3: Dreams, Archetypes and the Irrational
- 4: Therapy and Subliminal Theatre
- 5: Antonin Artaud and the Theatre of Cruelty
- 6: Ritual and Acts of Communion
- 7: Black Masses and Ceremonies of Negation
- 8: Myth and Theatre Laboratories
- 9: Secular Religions and Physical Spirituality
- 10: Anthropology, Environmental Theatre and Sexual Revolution
- 11: Interculturalism and Expropriating the Classics
- 12: From the Margins to Mainstream
The Work of Living Art: A Theory of the Theatre by H. D. Albright, Adolphe Appia, Barnard Hewitt; University of Miami Press, 1960 - Adolphe Appia and "The Work of Living Art"
- Preface
- 1. the Elements
- 2. Living Time
- 3. Living Space
- 4. Living Color
- 5. Organic Unity
- 6. Collaboration
- 7. the Great Unknown and the Experience of Beauty
- 8. Bearers of the Flame
- Designs
- Adolphe Appia's "Man is the Measure of All Things" (protagoras)
What Is Scenography? by Pamela Howard; Routledge, 2002 - Introduction
- Chapter 1: Space Measure to Measure: Playing in the Space
- Chapter 2: Text the Hidden Story
- Chapter 3: Research: Asking Question— Finding Answers
- Chapter 4: Colour and Composition
- Chapter 5: Direction Finding the Way
- Chapter 6: Performers the Scenographic Actor
- Chapter 7: Spectators the Great Mystery
- Postscript
The Live Theatre: An Introduction to the History and Practice of the Stage by Hugh Hunt; Oxford University Press, 1962 - Chapter One: THE INGREDIENTS OF THEATRE
- Chapter Two: THE RITUAL THEATRE THE THEATRE OF ATHENS
- Chapter Three: RITUAL IN PERFORMANCE SOME PROBLEMS OF PRODUCING GREEK PLAYS
- Chapter Four: THE SECULAR THEATRE NEW COMEDY AND THE ROMAN THEATRE
- Chapter Five: THE PAGEANT THEATRE LITURGICAL PLAYS AND THE RELIGIOUS CYCLES
- Chapter Six: A PLEA FOR PAGEANTRY SOME PROBLEMS OF PRODUCING MEDIEVAL MYSTERY PLAYS
- Chapter Seven: THE PROFESSIONAL THEATRE THE STROLLING PLAYERS AND THE PUBLIC THEATRES
- Chapter Eight: POETIC ACTION SHAKESPEARE'S STAGE-CRAFT AND CONTEMPORARY PRODUCTION
- Chapter Nine: THE THEATRE OF ILLUSION THE INDOOR PLAYHOUSES AND THE RESTORATION THEATRE
- Chapter Ten: ARTIFICIAL ACTING THE PERFORMANCE OF RESTORATION COMEDY
- Chapter Eleven: THE GROWTH OF ILLUSION THEATRE DURING THE EIGHTEENTH CENTURY
- Chapter Twelve: THE MATERIALIST THEATRE MELODRAMA AND SPECTACLE
- Chapter Thirteen: THE THEATRE OF ACTUALITY THE BIRTH OF REALISM
- Chapter Fourteen: THE CONFUSION OF STYLES THE THEATRE OF THE EARLY TWENTIETH CENTURY
- Chapter Fifteen: THE NEW CONTINENTIAL AND AMERICAN THEATRE
- Chapter Sixteen: REVOLUTION IN THE THEATRE BRITISH THEATRE TODAY
- Chapter Seventeen: CREATIVE INTERPRETATION THE SEARCH FOR A PHILOSOPHY
- Chapter Eighteen: THE PRACTICE OF THEATRE
Vsevolod Meyerhold by Jonathan Pitches; Routledge, 2003 - 1: A Life of Contradictions
- 2: Meyerhold's Key Writings
- 3: Meyerhold's Key Production
- 4: Practical Exercises
Strategies of Drama: The Experience of Form by Oscar Lee Brownstein; Greenwood Press, 1991 - INTRODUCTION: THE FOLK LANGUAGE OF THE THEATER
- Chapter 1 "Changing the Situation" Through Dramatic Language And Dramatic Form
- NOTES
- Chapter 2 Prospective Strategies: The Dramatic Future
- NOTES
- Chapter 3 Retrospective Strategies: Dramatic Memory
- NOTES
- Chapter 4 Plot: the Grand Design
- NOTES
- Chapter 5 The Basis of Climax Strategies: Figure/Ground Reversals
- NOTES
- Chapter 6 Complexity, Counterpoint, And Complicity
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Theatre Books Master-Page *
Method Acting * Stanislavsky on Stanislavsky Terminology *
[ list is not sorted ]
Alter, Jean. A Sociosemiotic Theory of Theatre. Philadelphia: University of Pennsylvania Press, 1990http://www.queensu.ca/drama/jstephenson/DRAM301/bibliography.htmlBennett, Susan. Theatre Audiences : A Theory of Production and Reception. London ; New York: Routledge, 1990.[PN1590.A9 B48 1990].
Bentley, Eric. The Theory of the Modern Stage: An Introduction to Modern Theatre and Drama. Harmondsworth,: Penguin, 1968
Birringer, Johannes H. Theatre, Theory, Postmodernism. Drama and Performance Studies. Bloomington: Indiana University Press, 1991
Bratton, J. S. New Readings in Theatre History. Theatre and Performance Theory. Cambridge: Cambridge University Press, 2003
Burwick, Frederick. Illusion and the Drama : Critical Theory of the Enlightenment and Romantic Era. University Park, PA: Pennsylvania State University Press, 1991
Carlson, Marvin A. The Haunted Stage : The Theatre as Memory Machine. Theater--Theory/Text/Performance. Ann Arbor: University of Michigan Press, 2002
---. Theories of the Theatre : A Historical and Critical Survey, from the Greeks to the Present. Ithaca, N.Y.: Cornell University Press, 1989
Case, Sue-Ellen. Performing Feminisms : Feminist Critical Theory and Theatre. Baltimore: Johns Hopkins University Press, 1990
Chaudhuri, Una. Staging Place : The Geography of Modern Drama. Theater--Theory/Text/Performance. Ann Arbor: University of Michigan Press, 1995
Clark, Barrett Harper. European Theories of the Drama. New York,: Crown publishers, 1947
Courtney, Richard. Drama and Feeling : An Aesthetic Theory. Montréal: McGill-Queen's University Press, 1995
Davis, Tracy C., and Thomas Postlewait. Theatricality. Theatre and Performance Theory. Cambridge: Cambridge University Press, 2003
Dukore, Bernard Frank. Dramatic Theory and Criticism : Greeks to Grotowski. New York,: Holt Rinehart and Winston, 1974
Fortier, Mark. Theory/Theatre : An Introduction. 2nd ed. London ; New York: Routledge, 2002
Frank, Marcie. Gender, Theatre, and the Origins of Criticism : From Dryden to Manley. Cambridge: Cambridge University Press, 2003
Fuchs, Elinor, and Una Chaudhuri. Land/Scape/Theater. Theater--Theory/Text/Performance. Ann Arbor: University of Michigan Press, 2002
Gerould, Daniel Charles. Theatre, Theory, Theatre : The Major Critical Texts from Aristotle and Zeami to Soyinka and Havel. New York ; London: Applause, 2000
Keyssar, Helene. Feminist Theatre and Theory. New Casebooks. Houndmills: Macmillan Press Ltd., 1996
Kobialka, Michal. Of Borders and Thresholds : Theatre History, Practice, and Theory. Minneapolis: University of Minnesota Press, 1999
---. This Is My Body : Representational Practices in the Early Middle Ages. Ann Arbor: University of Michigan Press, 1999
Lawton, H. W. Handbook of French Renaissance Dramatic Theory. French Classics. Extra Series. Manchester, Eng. ,: Manchester University Press, 1949
Levine, Ira A. Left-Wing Dramatic Theory in the American Theatre. Theater and Dramatic Studies ; No.024. Ann Arbor, Mich.: UMI Research Press, 1985
Malekin, Peter, and Ralph Yarrow. Consciousness, Literature, and Theatre : Theory and Beyond. New York: St. Martin's, 1997
Malkin, Jeanette R. Memory : Theater and Postmodern Drama. Theater--Theory/Text/Performance. Ann Arbor: University of Michigan Press, 1999
McAuley, Gay. Space in Performance : Making Meaning in the Theatre. Theater--Theory/Text/Performance. Ann Arbor: University of Michigan Press, 1999
Nicoll, Allardyce. The Theatre and Dramatic Theory. London,: Harrap, 1962
---. The Theory of Drama. New York,: B. Blom, 1966
Quinn, Michael L. The Semiotic Stage : Prague School Theatre Theory. Pittsburgh Studies in Theatre and Culture ; Vol. 1. New York: P. Lang, 1995
Rai, Rama Nand. Theory of Drama : A Comparative Study of Aristotle and Bharata. New Delhi: Classical Pub. Co., 1992
Rayner, Alice. To Act, to Do, to Perform : Drama and the Phenomenology of Action. Theater--Theory/Text/Performance. Ann Arbor: University of Michigan Press, 1994
Reinelt, Janelle G., and Joseph R. Roach, eds. Critical Theory and Performance. Ann Arbor: University of Michigan Press, 1992.
Schechner, Richard, and Mady Schuman. Ritual, Play, and Performance : Readings in the Social Sciences/Theatre. A Continuum Book. New York: Seabury Press, 1976
Schmid, Herta, and Aloysius van Kesteren. Semiotics of Drama and Theatre : New Perspectives in the Theory of Drama and Theatre. Linguistic & Literary Studies in Eastern Europe. V. 010. Amsterdam ; Philadelphia: J. Benjamins, 1984
Sidnell, Michael J., ed. Sources of Dramatic Theory. 2 vols. Cambridge: Cambridge University Press, 1991-.
Silk, M. S. Aristophanes and the Definition of Comedy. Oxford ; New York: Oxford University Press, 2000
Styan, J. L. Modern Drama in Theory and Practice. New York: Cambridge University Press, 1980
University of Kansas. Division of Communication and Theatre., and Joyce and Elizabeth Hall Center for the Humanities. "Journal of Dramatic Theory and Criticism." Lawrence, Kan.: University of Kansas, 1986. v.
Whitaker, Thomas R. Mirrors of Our Playing : Paradigms and Presences in Modern Drama. Theater--Theory/Text/Performance. Ann Arbor: University of Michigan Press, 1999
Wiles, David. A Short History of Western Performance Space. New York: Cambridge UP, 2003
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