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TOPICS: drama + comedy + postmodern + american age + space + time + chronotope + direct + event theory + present + sex + past + marxism + shows +
2007
FILM-NORTH & VIRTUAL THEATRE

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text LINKS


Backwards and Forwards: A Technical Manual for Reading Plays by David Ball; Southern Illinois University Press, 1983 : - Part One: Shape - 1: What Happens That Makes Something Else Happen? - 2: And What Happens Next? - 3: But Do It Backwards - 4: Stasis and Intrusion - 5: Obstacle, Conflict - 6: Ignorance is Bliss (or: the Very Cause of Everyone's Lunacy About Hamlet) - 7: Things Theatrical - Part Two: Methods - 8: Exposition - 9: Forwards: Hungry for Next - 10: Missing Persons (character) - 11: Image - 15: Families - 16: Generalities: Mood, Atmosphere - 17: The Unique Factor - 18: Changing Eras - 19: Climax - 20: Beginnings/Endings - 21: Rereading - 22: What Next?

Theatrical Directors: A Biographical Dictionary by John W. Frick, Stephen M. Vallillo; Greenwood, 1994

Theatre: Essays on the Arts of the Theatre by Edith J. R. Isaacs; Little, Brown, and Company, 1927

To the Actor: On the Technique of Acting by Michael Chekhov, Nicolai Remisoff; Harper & Row, 1953 - Chapter 1: The Actor's Body and Psychology - Chapter 2: Imagination and Incorporation of Images - Chapter 3: Improvisation and Ensemble - Chapter 4: The Atmosphere and Individual Feelings - Chapter 5: The Psychological Gesture - Chapter 6: Character and Characterization - Chapter 7: Creative Individuality - Chapter 8: Composition of the Performance - Chapter 9: Different Types of Performances - Chapter 10 How to Approach the Part

The Director and the Stage: From Naturalism to Grotowski by Edward Braun; Holmes & Meier, 1982 - I. The Meiningen Theatre - 2. Antoine and the Theatre Libre - 3. The Symbolist Theatre - 4. Alfred Jarry - 5. Stanislavsky and Chekhov - 6. Edward Gordon Craig - 7. Max Reinhardt in Germany and Austria - 8. Meyerhold - the First Five Years - 9. Meyerhold - Theatre as Propaganda - 10. Piscator in Berlin - Ii. Brecht's Formative Years - 12. Artaud's Theatre of Cruelty - 13. Grotowski's Laboratory Theatre


Revolution in the Theatre: French Romantic Theories of Drama by Barry V. Daniels; Greenwood Press, 1983

Stillness in Motion in the Seventeenth Century Theatre by P. A. Skantze; Routledge, 2003

Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre by Helen Higbee, Robert Weimann, William West; Cambridge University Press, 2000

The Theatre of Garcia Lorca by Robert Lima; Las Americas Publishing, 1963

Theatre and Humanism: English Drama in the Sixteenth Century by Kent Cartwright; Cambridge University Press, 1999


Shakespeare at the Globe, 1599-1609 by Bernard Beckerman; Macmillan, 1962

Commedia Dell'arte Performance: Context and Contents by Southeastern Theatre Conference; University of Alabama Press, 1993

Hamlet on Stage: The Great Tradition by John A. Mills; Greenwood Press, 1985

Guide to Great Plays by Joseph T. Shipley; Public Affairs Press, 1956

[ directing biblio + books ]

Elizabethan Drama, 1558-1642: A History of the Drama in England from the Accession of Queen Elizabeth to the Closing of the Theaters Vol. 2 by Felix E. Schelling; Houghton Mifflin & Company, 1908


At Work with Grotowski on Physical Actions by Thomas Richards; Routledge, 1995

Avant Garde Theatre, 1892-1992 by Christopher Innes; Routledge, 1993 - 1: Introduction - 2: The Politics of Primitivism - 3: Dreams, Archetypes and the Irrational - 4: Therapy and Subliminal Theatre - 5: Antonin Artaud and the Theatre of Cruelty - 6: Ritual and Acts of Communion - 7: Black Masses and Ceremonies of Negation - 8: Myth and Theatre Laboratories - 9: Secular Religions and Physical Spirituality - 10: Anthropology, Environmental Theatre and Sexual Revolution - 11: Interculturalism and Expropriating the Classics - 12: From the Margins to Mainstream

The Work of Living Art: A Theory of the Theatre by H. D. Albright, Adolphe Appia, Barnard Hewitt; University of Miami Press, 1960 - Adolphe Appia and "The Work of Living Art" - Preface - 1. the Elements - 2. Living Time - 3. Living Space - 4. Living Color - 5. Organic Unity - 6. Collaboration - 7. the Great Unknown and the Experience of Beauty - 8. Bearers of the Flame - Designs - Adolphe Appia's "Man is the Measure of All Things" (protagoras)

What Is Scenography? by Pamela Howard; Routledge, 2002 - Introduction - Chapter 1: Space Measure to Measure: Playing in the Space - Chapter 2: Text the Hidden Story - Chapter 3: Research: Asking Question— Finding Answers - Chapter 4: Colour and Composition - Chapter 5: Direction Finding the Way - Chapter 6: Performers the Scenographic Actor - Chapter 7: Spectators the Great Mystery - Postscript

The Live Theatre: An Introduction to the History and Practice of the Stage by Hugh Hunt; Oxford University Press, 1962 - Chapter One: THE INGREDIENTS OF THEATRE - Chapter Two: THE RITUAL THEATRE THE THEATRE OF ATHENS - Chapter Three: RITUAL IN PERFORMANCE SOME PROBLEMS OF PRODUCING GREEK PLAYS - Chapter Four: THE SECULAR THEATRE NEW COMEDY AND THE ROMAN THEATRE - Chapter Five: THE PAGEANT THEATRE LITURGICAL PLAYS AND THE RELIGIOUS CYCLES - Chapter Six: A PLEA FOR PAGEANTRY SOME PROBLEMS OF PRODUCING MEDIEVAL MYSTERY PLAYS - Chapter Seven: THE PROFESSIONAL THEATRE THE STROLLING PLAYERS AND THE PUBLIC THEATRES - Chapter Eight: POETIC ACTION SHAKESPEARE'S STAGE-CRAFT AND CONTEMPORARY PRODUCTION - Chapter Nine: THE THEATRE OF ILLUSION THE INDOOR PLAYHOUSES AND THE RESTORATION THEATRE - Chapter Ten: ARTIFICIAL ACTING THE PERFORMANCE OF RESTORATION COMEDY - Chapter Eleven: THE GROWTH OF ILLUSION THEATRE DURING THE EIGHTEENTH CENTURY - Chapter Twelve: THE MATERIALIST THEATRE MELODRAMA AND SPECTACLE - Chapter Thirteen: THE THEATRE OF ACTUALITY THE BIRTH OF REALISM - Chapter Fourteen: THE CONFUSION OF STYLES THE THEATRE OF THE EARLY TWENTIETH CENTURY - Chapter Fifteen: THE NEW CONTINENTIAL AND AMERICAN THEATRE - Chapter Sixteen: REVOLUTION IN THE THEATRE BRITISH THEATRE TODAY - Chapter Seventeen: CREATIVE INTERPRETATION THE SEARCH FOR A PHILOSOPHY - Chapter Eighteen: THE PRACTICE OF THEATRE

Vsevolod Meyerhold by Jonathan Pitches; Routledge, 2003 - 1: A Life of Contradictions - 2: Meyerhold's Key Writings - 3: Meyerhold's Key Production - 4: Practical Exercises

Strategies of Drama: The Experience of Form by Oscar Lee Brownstein; Greenwood Press, 1991 - INTRODUCTION: THE FOLK LANGUAGE OF THE THEATER - Chapter 1 "Changing the Situation" Through Dramatic Language And Dramatic Form - NOTES - Chapter 2 Prospective Strategies: The Dramatic Future - NOTES - Chapter 3 Retrospective Strategies: Dramatic Memory - NOTES - Chapter 4 Plot: the Grand Design - NOTES - Chapter 5 The Basis of Climax Strategies: Figure/Ground Reversals - NOTES - Chapter 6 Complexity, Counterpoint, And Complicity

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biblio (books)

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Semiotics

Theatre Books Master-Page *

Method Acting * Stanislavsky on Stanislavsky Terminology *

[ list is not sorted ]

Alter, Jean. A Sociosemiotic Theory of Theatre. Philadelphia: University of Pennsylvania Press, 1990

Bennett, Susan. Theatre Audiences : A Theory of Production and Reception. London ; New York: Routledge, 1990.[PN1590.A9 B48 1990].

Bentley, Eric. The Theory of the Modern Stage: An Introduction to Modern Theatre and Drama. Harmondsworth,: Penguin, 1968

Birringer, Johannes H. Theatre, Theory, Postmodernism. Drama and Performance Studies. Bloomington: Indiana University Press, 1991

Bratton, J. S. New Readings in Theatre History. Theatre and Performance Theory. Cambridge: Cambridge University Press, 2003

Burwick, Frederick. Illusion and the Drama : Critical Theory of the Enlightenment and Romantic Era. University Park, PA: Pennsylvania State University Press, 1991

Carlson, Marvin A. The Haunted Stage : The Theatre as Memory Machine. Theater--Theory/Text/Performance. Ann Arbor: University of Michigan Press, 2002

---. Theories of the Theatre : A Historical and Critical Survey, from the Greeks to the Present. Ithaca, N.Y.: Cornell University Press, 1989

Case, Sue-Ellen. Performing Feminisms : Feminist Critical Theory and Theatre. Baltimore: Johns Hopkins University Press, 1990

Chaudhuri, Una. Staging Place : The Geography of Modern Drama. Theater--Theory/Text/Performance. Ann Arbor: University of Michigan Press, 1995

Clark, Barrett Harper. European Theories of the Drama. New York,: Crown publishers, 1947

Courtney, Richard. Drama and Feeling : An Aesthetic Theory. Montréal: McGill-Queen's University Press, 1995

Davis, Tracy C., and Thomas Postlewait. Theatricality. Theatre and Performance Theory. Cambridge: Cambridge University Press, 2003

Dukore, Bernard Frank. Dramatic Theory and Criticism : Greeks to Grotowski. New York,: Holt Rinehart and Winston, 1974

Fortier, Mark. Theory/Theatre : An Introduction. 2nd ed. London ; New York: Routledge, 2002

Frank, Marcie. Gender, Theatre, and the Origins of Criticism : From Dryden to Manley. Cambridge: Cambridge University Press, 2003

Fuchs, Elinor, and Una Chaudhuri. Land/Scape/Theater. Theater--Theory/Text/Performance. Ann Arbor: University of Michigan Press, 2002

Gerould, Daniel Charles. Theatre, Theory, Theatre : The Major Critical Texts from Aristotle and Zeami to Soyinka and Havel. New York ; London: Applause, 2000

Keyssar, Helene. Feminist Theatre and Theory. New Casebooks. Houndmills: Macmillan Press Ltd., 1996

Kobialka, Michal. Of Borders and Thresholds : Theatre History, Practice, and Theory. Minneapolis: University of Minnesota Press, 1999

---. This Is My Body : Representational Practices in the Early Middle Ages. Ann Arbor: University of Michigan Press, 1999

Lawton, H. W. Handbook of French Renaissance Dramatic Theory. French Classics. Extra Series. Manchester, Eng. ,: Manchester University Press, 1949

Levine, Ira A. Left-Wing Dramatic Theory in the American Theatre. Theater and Dramatic Studies ; No.024. Ann Arbor, Mich.: UMI Research Press, 1985

Malekin, Peter, and Ralph Yarrow. Consciousness, Literature, and Theatre : Theory and Beyond. New York: St. Martin's, 1997

Malkin, Jeanette R. Memory : Theater and Postmodern Drama. Theater--Theory/Text/Performance. Ann Arbor: University of Michigan Press, 1999

McAuley, Gay. Space in Performance : Making Meaning in the Theatre. Theater--Theory/Text/Performance. Ann Arbor: University of Michigan Press, 1999

Nicoll, Allardyce. The Theatre and Dramatic Theory. London,: Harrap, 1962

---. The Theory of Drama. New York,: B. Blom, 1966

Quinn, Michael L. The Semiotic Stage : Prague School Theatre Theory. Pittsburgh Studies in Theatre and Culture ; Vol. 1. New York: P. Lang, 1995

Rai, Rama Nand. Theory of Drama : A Comparative Study of Aristotle and Bharata. New Delhi: Classical Pub. Co., 1992

Rayner, Alice. To Act, to Do, to Perform : Drama and the Phenomenology of Action. Theater--Theory/Text/Performance. Ann Arbor: University of Michigan Press, 1994

Reinelt, Janelle G., and Joseph R. Roach, eds. Critical Theory and Performance. Ann Arbor: University of Michigan Press, 1992.

Schechner, Richard, and Mady Schuman. Ritual, Play, and Performance : Readings in the Social Sciences/Theatre. A Continuum Book. New York: Seabury Press, 1976

Schmid, Herta, and Aloysius van Kesteren. Semiotics of Drama and Theatre : New Perspectives in the Theory of Drama and Theatre. Linguistic & Literary Studies in Eastern Europe. V. 010. Amsterdam ; Philadelphia: J. Benjamins, 1984

Sidnell, Michael J., ed. Sources of Dramatic Theory. 2 vols. Cambridge: Cambridge University Press, 1991-.

Silk, M. S. Aristophanes and the Definition of Comedy. Oxford ; New York: Oxford University Press, 2000

Styan, J. L. Modern Drama in Theory and Practice. New York: Cambridge University Press, 1980

University of Kansas. Division of Communication and Theatre., and Joyce and Elizabeth Hall Center for the Humanities. "Journal of Dramatic Theory and Criticism." Lawrence, Kan.: University of Kansas, 1986. v.

Whitaker, Thomas R. Mirrors of Our Playing : Paradigms and Presences in Modern Drama. Theater--Theory/Text/Performance. Ann Arbor: University of Michigan Press, 1999

Wiles, David. A Short History of Western Performance Space. New York: Cambridge UP, 2003

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