Spectator *
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[ advertising space ] Classes: Aesthetics meyerhold.us Method for Directors? stanislavsky.us ShowCases: 3 Sisters, Mikado, 12th Night, Hamlet, The Importance of Being Earnest, Dangerous Liaisons, Don Juan prof. Anatoly Antohin Theatre UAF AK 99775 USA (907)474-7751 my eGroups Featured Pages: Theatre Theory directory SummaryNotesnew biblio page *
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This is the list I had while writing my notes on spectatorship. There is another page -- bibliography, which I plan to use in the future. The references for the book come from so many and so different fields that I am not sure how to organize them. The research part of it is only a part. I suspect that this manuscript is to follow the free style of the other books. NB. Some books are in Russian. Anatoly
WORKS CITED (used): Pesochinsky, Nikolai. Actor and Role in Meyerhold's Theatre. St. Petersburg Dramatic Academy Press (in Russian), 1990. Rudnitsky, Konstantin. Rezhissyor Meierkhold. Moscow, 1969 Schmidt, Paul, ede. Meyerhold at Work. Trans. Paul Schmidt, Ilya Levin, and Vern McGee. Austin: U of Texas, 1980. Volkov Meierkhold (2 vols.), Moscow-Leningrad, 1929 Yutkevich, Sergei. Kontrapunkt rezhissyora Moscow, 1960 Epstein, Michail. ON RUSSIAN AND WESTRN POSTMODERNISM Postmodern Culture v,3 n. 2 (January, 1993) Chernetsky, Vitaly. Late Soviet Culture: A Parallax for Postmodernism Postmodern Culture v.4 n.3 (May, 1994) Adorno, Theodor The Culture Industry London Routledge, 1991 Bauman, Richard Story, Performance & Event Cambridge U Press 1986 Bennet, Susan. Theatre Audiences: A Theaory of Production and Reception. London: Routledge, 1990 Birdwhistell, Ray Kinesics & Context: essays on body motion communication Phyla U Pen Press 1971 Birringer, Johannes Theatre, Theory, Postmodernism Bloominton, IN U Press 1991 Blau, Herbert, The Audience. Baltimore: John Hopkins UP, 1990 Carlson, Marvin Places of performance; the semiotics of the architecture NY Cornell U Press 1989 Eco, Umberto Semiotics of Theatrical Performance Drama Review 21, 1977 Elam, Keir Semiotics of Theatre and Drama London, Methuen, 1980 Roach, Joseph Player's Passion: Studies in the Science of Acting Newark NJ U of Delaware Press Uspensky, Boris The Poetics of Composition Berkeley CA U of CA Press 1973 Elias Canetti, Crowds and Power NY Viking 1963 Albert Cook, Enactment: Greek Tragedy Chicago Sawllow 1971 Victor Turner, Dramas, Filelds, and Metaphors: Symbolic Action in Human Society Itthaca: Cornell UP 1974 Richard Senneett The Fall of Public Man Knopf 1977 Guy Debord Society of the Specticle Detroit: Black and Red 1977 Jacques Derrida Of Grammatology Baltimor: John Hopkinns UP 1976 Jean Baudrillard Simulations NY Semiotext 1983 Michel Foucault Language, Counter-Memory, Practice: Selected Essays and Interviews Ithaca: Cornell UP 1977 Richard Foreman Plays and Manifestos NY UP 1976 Michel Foucault The History of Sexuality NY Pantheon 1978 Vsevelod Meyerhold Meyerhold on Theatre NY: Hill and Wabg 1969 The Structure of the Artistic Text AnnArbor, Mich.: University of Michigan Press, 1977 Americans in St. Petersburg RAT magazine, 1993 Performance: Texts and Contexts by Carol Simpson Stern and Bruce Henderson, Longman, 1993 Acting: the First Six Lessons by Richard Boleslavsky, NY Theatre Arts Books, 1949 To The Actor: On the Technique of Acting by Michael Chekhov, Harper & Row, New York, 1953 (1st edition) Actors on Acting Crown, NY 1970 New Drama for New Russia, anthology of Russian plays Post-Perestroyka period, Manuscript. Anatoly Antohin. Artist without Borders, Russian American Theatre newsletter, St. Petersburg, Summer 1993 Stanislavsky vs. Stanislavsky, RAT Summer conference, August 1994, NYU (papers). Role Playing and Identity by Bruce WilshireScreenwriting Poll *
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