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[1]Russia [2]Moscow
MOSCOW THEATERS
The following is an abbreviated index of Moscow theatres. There are
also [3]notes on Russian theatrical history.
Bolshoi Thatre
Moscow, Theatralny str.
Phone 292-0050 [INLINE] Visit the authorized site of [4]Bolshoi
Theatre at our server.
Maly Theatre
Moscow, Theatralny str.
Phone 292-0050
1099 seats [INLINE] The Theatre was open to the public on the October
14, 1824 and became a mirror of leading russian literature.
Moscow Artistic Academic Theatre
in the name of M.Gorky
Moscow, Tversky boulevard, 22
Phone 203-8773
1350 seats [INLINE] The Moscow Artistic Academic Theatre MAAT, or MHAT
in Russian was founded in 1898 by K.S.Stanislavsky and
V.I.Nemirovitch-Danchenko.
Moscow Artistic Academic Theatre
in the name of A.P.Chekhov
Moscow, Kameregersky per. 3
Phone 229-87-60 [INLINE] Classical plays as well as modern ones are
played at the theatre founded in 1924.
The Music Theatre of the name of
Stanislavsky and Nemirovitch-Danchenko
Moskow, Pushkinsky str., 17
Phone 229-83-88
1416 seats [INLINE] Organised in 1941 by merging Staniskavsky opera
studio and music studio of Nemirovitch-Danchenko.
The Operetta Theatre
Pushkinsky str. 6
Phone 292-1237 )
1836 seats [INLINE] The Operetta Theatre was open in 1927. It made a
great contribution in developing Soviet operetta.
Vahtangov Theatre
Moscow, Arbat str. 26
Phone 241-16-51
1053 seats. [INLINE] The theatre started from the Vahtangov's studio
previously called Students' dramatic studio in 1920.
Theatre of Satire
Triumfalny str. 2. [INLINE] Founded in 1924
Stage Theatre
1367 seats. [INLINE] Founded in 1954 by P.Smirmov-Sokolsky. Shows
staging of its own plays. Performances of the best Russian and foreign
actors.
Theatre of Mossoviet
Bolshaya-Sadovaya str. 16 (Garden "Aquarium")
Phone: +7 (095) 299-20-35
1179 seats [INLINE] Organized in 1924. From the first days of
existence it became an laboratory of new soviet dramatic theory.
Mayakovsky Theatre
Bolshaya Nikitskaya str.19
290-4658
Theatre of Red Army
Suvorov squ., 2
281-5120
Pushkin Moscow Dramatic Theatre
Tverskoy blvd. 23
203-8582
K.S.Stanislavsky Theatre
Tversky blvd. 23
299-7224
Gogol Theatre
Kazakova str.8-a
262-9214
Sovremennik
Chistoprudny blvd. 19-a
921-6473
Taganka Theatre
Zemlyanoy Val, 76
915-1217, 915-1015
MUSICAL THEATERS AND CONCERT HALLS
Chaikovsky Concert Hall
Triumfalny square 4/31
Phone 290-0378
Moscow Conservatory
Gerzena str.13
Phone 229-8183
Russia
Moscvoretzky quay, 1
Phone 298-1124
Olympic Village
Olympic village, 1
Phone 437-5650
Helicon Opera
Gerzen str. 19
Phone 291-1323
Gypsy Theatre Romen
Leningradsky av. 32/2
Phone 250-7353
Russian Spiritual Theatre "Voice"
Suvorovsky square 2
Phone 281-7804
CHILDREN THEATERS
The Theatre of Young Spectators
Mamonovsky per.,10
Phone 299-5360
650 seats. [INLINE] Organized in 1930.
Obraztsov Dolls' Theatre
Sadovaya-Samothechny str. 3
299-3310
665 seats [INLINE]
Dolls' Theatre
Spartakovsky str.26
Phone 261-2197
548 seats [INLINE] Former Theatre of Children's Book founded in 1930.
Moscow Children Music Theatre Expromt
Makarenko str. 2/21, bld. 2
Phone 921-01-16 [INLINE]
Children's Music Theatre
Vernadsky Ave. 5
Phone 930-70-21 [INLINE]
References
1. http://www.russianet.ru/index.html
2. http://www.russianet.ru/travel/Moscow.html
3. http://www.russianet.ru/travel/moscow/theater_history.html
4. http://www.bolshoi-theatre.com/
5. http://www.russia.net/ria/
6. http://www.russianet.ru/business.html
7. http://www.russianet.ru/travel.html
8. http://www.russianet.ru/politics.html
9. http://www.russianet.ru/history.html
10. http://www.russianet.ru/culture.html
11. http://www.russianet.ru/classifieds.html

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Pre-publication version of a list to be published in the Moscow Times Dec. 30, 2003. Any and all quotations of, or references to, this article must cite John Freedman. (c) 2003 John Freedman. The final version will be available (perhaps with accompanying photos) on Tues. Dec. 30 in the Metropolis section at www.themoscowtimes.com or www.tmtmetropolis.ru ------------------------------- The best of Moscow theater in 2003 was the result of a healthy mix of the new and the familiar both in names and styles. From the young Pavel Safonov to veterans Kama Ginkas and Konstantin Raikin, it seemed as though something unexpected and exciting was always happening. Here, in chronological order, are five of the year's top shows to prove it. "School of Fools" at the Meyerhold Center arguably was the season's most inventive show, a combination of physical, musical, poetic, puppet and shadow theater acted out on the deck of a seafaring galleon. Under the direction of Nikolai Roshchin, and with the crucial participation of the composer Stefan Andrusenko, this delightfully baffling production set in the Middle Ages offered a thought-provoking look at the way that, over the centuries, the same human weaknesses, cruelties and stupidities continue rising to the surface. "Dreams of Exile" at the Theater Yunogo Zritelya was a marvelous surprise from the renowned Kama Ginkas. Built on short scenes originally worked out by Ginkas' students at the Moscow Art Theater School, it was based loosely on themes drawn from the paintings of Marc Chagall. Ginkas pulled the funny, touching and tragic episodes of Jewish life into a coherent whole that exhibited equal doses of Chagall's lyrical magic and the director's own demanding sense of truth. "A Profitable Post" at the Satirikon again showed off Konstantin Raikin's energetic, ultra-contemporary theater to best advantage. The great actor Raikin limited himself to directing duties here, but coaxed a cast-full of superb performances from his talented stable of actors. Together they turned this Alexander Ostrovsky drama about vice and cynicism in the 19th-century into a gripping, modern tale of greed, conscience and sexual politics. "The Seagull" at the Vakhtangov Theater showcased a fine new directing talent in Pavel Safonov. In Chekhov's play putting artists of varying generations and sensibilities on a collision course, Safonov was especially drawn to the young characters - the fledgling writer Treplev and the would-be actress Nina Zarechnaya - drawing a penetrating portrait of people whose ambitions are bigger than their potential. The result was a sensitive, perceptive show that occasionally rose to the heights of the exceptional. "Lucette Gauthier" at the Et Cetera Theater was an eye-popping combination of lowbrow farce and innovative theater. The play is a frothy Georges Feydeau comedy about a weak-willed man hiding his fiancee from his lover, but what makes it work so well is the deliciously manic direction from Alexander Morfov, a Bulgarian who often works in Moscow. Not only does he keep the action tumbling forward at a breakneck pace, he constantly wraps it around hair-pin turns that his actors navigate with ease. This stuff may be old as the hills, but it's at least twice as funny.
Film-North * Anatoly Antohin
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