I am looking for my big project to merge : Utopia, Dreams...
books.filmplus.org
filmplus.org/classes
directing.filmplus.org
him.filmplus.org
... Do I have to write about theory of Virtual Theatre? Why? What for?
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I shouldn't have this page "guide"... I never tought this course "Virtual Theatre" and I'll not teach it.
pomo.vtheatre.net + stagematrix.com
I am looking for my big project to merge : Utopia, Dreams...
books.filmplus.org filmplus.org/classes directing.filmplus.org him.filmplus.org ... Do I have to write about theory of Virtual Theatre? Why? What for?
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Postmodern (POMO or PM) is addressing the issues ignored by Modernism. The idea of "classics", for example.
Guide and FAQ at vTheatre (2006). 
introPerformance & Multimedia BFA
All pages on the subject of web as medium in one directory; Index Page.
Virtual Theatre Master-File on Reserve in the Library! Live performance and digital media at University of Georgia: use real-time motion capture technology in a live
production of the Tempest -- UGA
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Resources:
References
Reading List VTheatre List: subscribe! Recommended: Summary
Notes
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Classes * Web * Shows * Bookmark vTheatre! Mailing List & News -- subscribe yourself *
I made this proposal after directing 3 Sister, virtual theatre project in the Fall of 1999...
THR 395 Spring 2001 Special Topics
Anatoly Antohin
907-474-7754 (o)
907-455-6149 (h)
Theatre UAF
Fairbanks, AK 99775
Venice Carnival 2002 & Don Juan 2003 Showhttp://etheatre.tripod.com
Virtual Theatre is a new subject which encludes the old medias: Live Performance & Film. Webcasting is a transmission of live shows to WWW.
This course/seminar is organized on "total theatre" principle, when actors, directors and writers work together on the class project through exersices in workshop-style. Theatre or Film basic knowledge is required (THR121, THR331, THR470) or permission of the instructor.
Webcasting -- nature of the Intenet and WWW. Theory & Practice. Streeaming Video
Texts -- Hyper-Text, new control over time and space. Scripting Workshop
Performance -- Method Acting and Interactivity with the Camera/Public
Film Techniques -- CUs and Master Camera, TV v. Film (Cinema)
Week One: New Medium -- Web and Internet as Performance. High Tech and Traditional Theatre. The Aesthetics of the Monitor. Publishing or Broadcasting? (see Diary of a Webman)
Week Two: Film, Video, TV -- the mixture.
Week Three: Film and Stage Acting. 3D space, Shot, Cut and CloseUp.
Week Four: Directing for vTheatre
Week Five: Mise-en-Scene -- Double Challenge. Blocking for Live Performance and for the Camera.
Week Six: Hyper-Text and Open Structure Spectacle -- SpectActors. Improvisation and Live Event coverage. Game & Play principles. New Rituals
Week Seven: Interactive Space. New position of the audience -- spectActors.
Week Eight: Editing and Montage for the Streaming Video.
Week Nine: Computer Channel and Multimedia Workshop.
Week Ten: Shooting and Editing.
Week Eleven: Webcast and Netcast
Week Twelve: Class Project Broadcasting
Final Exam & Paper
Use vTheatre webpages as your textbook: familarize yourself with the VTHR projects archives. Read the scripts. Main sites -- Theatre w/Anatoly, Film-North and Virtual Theatre. Working knowledge of computer, email and Internet is required (see eClass). Subscribe yourself to vTheatre List: this is active list, which all in class will be using during the semester. This class webpage will be updated weekly -- bookmark it! Note: Most of the webpages were built to support acting, directing, drama (traditional) classes.
Guest-speakers will be announced later.Class is recommended for theatre, film, art, computer majors. This is the first core course for new BFA "Performance & Multimedia" (pending).
Grading:
Two Tests on Theory and Terminology 10 + 10%
Final Exam 20%
Research Paper 20%
Class Projects 30%
Participation 10%
... will never take place.
class is not offering2007
Film-North * Anatoly Antohin
© 2005 by vtheatre.net. Permission to link is granted *
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key.txt -- anatoly.live.com & antohin.wordpress.com
