2009 and After : teatr.us [LUL Theatre School]
lul ethiopia
teatr.vtheatre.net & lul.vtheatre.net [ filmplus.org/ethio ]

anatolant Web-Theatre : director2007

↑ Grab this Headline Animator


... Many new unlisted pages: I gave up on any narrative and even ANY structure!


NEW: ru & russia + et & ethiopia

* NEW: goto.txt : AFTER 2009 : LUL pages : teatr.us Go.dot 2006 * * 100 years since Sam Beckett's birth * flickr.com/groups/stage * 2007 : the art of theatre [flickr] * 2008 : Stoppard *



[ also, see list, appendix, references pages ]

... instead of links on thr theory:


theatre directing group

images : picasaweb.google.com/anatoly.antohin


Epic Theatre



Russian Theatre



Stage directing

My Shows



Theatre Theory, the HyperBook * 2007 * google.com/group/directing

TOPICS: drama + comedy + postmodern + american age + space + time + chronotope + direct + event theory + present + sex + past + marxism + shows +
Wisdom I loved; I sought her out when I was young and longed to win her for my bride, and I fell in love with her beauty. She adds lustre to her noble birth, because it is given her to live with God, and the Lord of all things has accepted her ("The Wisdom of Solomon," 8: 2-3).

[ advertising space : webmaster ]
text LINKS

* new flickr.com/groups/stage
Theatre w/Anatoly

Notes: Sorry, folks. This directory was the "backstage area" for Theatre w/Anatoly, but as usual -- it grew. I began to place Anatoly-Theatre files, although they belong to Market-Anatoly directory. Well, now I use it for THR Theory pages.


History of Drama
Script Analysis
Modernism & Pomo
* one act fest
2005 updates: Small Chekhov Fall * "Four Farces & One Funeral" -- Chekhov.05
Chekhov's one-acts are updated -- The Bear, The Proposal (1st act -- Oh, Love!), Wedding, Tobacco (Act II -- Ah, Marriage!), but I'm still working on the "funeral" (Last Day of Anton Chekhov). mini-chekhov
I am teaching DramLit -- groups.yahoo.com/group/dramlit (subscribe) and see THR215 for subjects, topics, titles.
Spring 2006 -- Waiting for Godot, Beckett -- new pages ( see shows )


This directory outlived itself. It belongs to the second generation of my webpages. The new texts are in the new specialized directories (3rd generation): virtual theatre, spectator, film600 and so on. 4th generation? Well, it's not pages anymore -- but scenes!


I call it "Theatre Theory" -- but what does it mean? This directory has no structure (book). I broke it formally in four parts: 1. Performance (why first?), 2. Directing, 3. Playscript & Spectator... and Anatoly & Theory.


You have to wait, when I can get to our "philosophers" (above); yes, I will let them speak, they have a lot to say about theory.
The Importance of Being Earnest
* mini-form show review *
Oedipus X

* The Theatre--Advancing by Edward Gordon Craig; Little, Brown & Company, 1919 - Part I - A Plea for Two Theatres: This Essay Is Dedicated to the Tired Business Man - A Durable Theatre - The Modern Theatre, and Another - In Defence of the Artist - The Open Air - Belief and Make-Believe: A Footnote to "The Actor and the Über-Marionette." - Imagination - Part II - Theatrical Reform - Public Opinion - Proposals Old and New: A Dialogue Between A Theatrical Manager and An Artist of the Theatre. - Part III - Gentlemen, the Marionette! - On Masks: By A Bishop and by Me - Shakespeares Collaborators - In a Restaurant - "Literary" Theatres - Art or Imitation?: A Plea for An Enquiry After the Missing Laws of the Art - A Conversation with Jules Champfleury - The Theatre in Italy: Naples and Pompeii: A Letter to John Semar - Church and Stage: in Rome: "When in Rome Do as the Romans Do." - Thoroughness in the Theatre - On Learning Magic: A Dialogue Many Times Repeated - Tuition in Art: A Note to the Younger Generation of Theatrical Students - On the Old School of Acting - A Letter to Ellen Terry - Yvette Guilbert - Sada Yacco - New Departures - The Wise and the Foolish Virgins - To Eleonora Duse - Ladies, Temperament and Discipline - Part IV - The Copyright Law: A Suggestion for An Amendment - The New Theme: Poverty - The Voice - Theatrical Love - Realism, or Nerve-Tickling - The Poet and Motion Pictures - The True Hamlet - The Futurists - Fire! Fire!

Integrating Practice as Research = teaching theatre



Index * Theatre w/Anatoly * Books * Stagematrix.06 * Students * Spectator * Virtual Theatre * Script Analysis * SHOWS * Film Theory * Film Directing * Plays * Write * Web * Classes * Bookmark vTheatre! Mailing List & News -- subscribe yourself * Method Acting for Directors * Acting 101 *

Theatre Theory with Anatoly

The stage is not merely the meeting place of all the arts, but is also the return of art to life. --Oscar Wilde
Finally! I reorganized this directory: four parts. Performance Theory (Acting), Staging, Playscript and the last about Anatoly himself.

Follow the new index (top left)!

More? See Theatre w/Anatoly and Ant Theatre


thr413 Playscript Analysis

WWWilde Directory (and other shows I directed).

WebBook: SPECTATOR (the same evolving process -- I am combining the pages from that directory with the new webpages Virtual Theatre).

Go to theory directory! Yes, on acting! 24hour-act, acting, audience, auditions, directing, director, rehearse, system, warmups and more!


Oh you, students of theatre, listen and tremble!

"... Dionysus is a god of mystery religion, with a message of salvation. As god of the mysteries, Dionysus was sometimes invoked by the name of Dionysus-Zagreus, or merely Zagreus, for whom specific dogma was established through a variation of the traditional myth about his birth.

Zeus mated with his daughter Persephone, and she bore a son ZAGREUS [zag're-us] (another name for Dionysus). Hera, because of her jealousy, incited the Titans to dismember the child and devour the pieces. The heart of the child was saved; and Dionysus was born again, through Semele and Zeus, as recounted above. Zeus in anger destroyed the Titans, and from their ashes mortals were born.

This is one of the most potent and basic myths in its elucidation of the teachings of mystery religions. It explains why human beings are endowed with a dual nature. Our body is gross and evil because we are sprung from the ashes of the Titans, but we have a pure and divine soul, since the Titans had devoured the god. From this evolved concepts of virtue and sin, life after death, and reward and punishment. This myth of Zagreus was incorporated into the mystery religion attributed to Orpheus..."

subjects : space * time * chronotope * acting * director * semio * theory * history * audience * themes *


Let me repeat myself (from Film600 and script.vtheatre.net):

Where teaching and studying (research) meet --

Theme-thought, according to different playwrights (Shakespeare, Ibsen, Strindberg, Chekhov and so on) and directors (Fillini, Kurosawa, Tarkovsky, Bergman pages).

Connections with other themes (list): family, gender and sex...

Finally, my own practical investigations: shows.vtheatre.net (only recently I began to make themes pages, Don Juan 2003, for example).

And the nonfiction (writing), of course: HIM, Father-Russia, PostAmeriKa, Self, POV, Tech (gatepages are in WRITE directory).

Yeah, yeah, there is more -- "philo" pages, metaphysics: in theatre theory directory, for instance (topics-bar: space, time and etc.)


Many files and directories are moved to GeoAlaska site: http://geocities.com/anatolant [ Where is the "Russian Page: Exile" website? "Russian Pages"? ]
Russian-American Theatre is at RAT, the plays are moved to the PLAYS directory. The SPREE server is gone and my "Russian webpages" are @ Father-Russia directory.

[some files are here]


HamletDreams Fall 2001 and Dangerous Liaisons Spring 2002 -- the shows I direct this season. You can subscribe to Virtual Theatre Forum and become a part of the Hamlet2001 production.

[if I can find time the entire directory should be rewritten -- Theatre as PHILOSOPHY!]

New: Directing ONLINE

I teach THR331 Fundamentals of Directing in the Spring, and THR221 Intermediate Acting (use the class pages to go for webdirectories)!

Next: intro

My friend, the webbing is an experiment, which has a beginning and must have an end. I am doing it for six years, the webpages. I am writing. The Internet lets me write and publish at the same time. I was overtaken by this phenomena... Six years ago. "Theatre Theory"? I don't have to read books anymore. What theory? Maybe something ahead of me I know not about? Maybe... Maybe I can find the golden balance between the web and the thought.

@2000-2005 film-north *