Russian-American Theatre

Русско-Американский Театр

General History of Russian Theater

Leach Richard. and Borovsky Victor (eds.), A History of Russian Theater, Cambridge, 1999.

Marshall, Herbert, The Pictorial History of the Russian Theatre, New York, 1977

Slonim, Marc, Russian Theatre from the Empire to the Soviets, New York, 1962.

Karlinsky, Simon , Russian Drama : From its Beginnings to the Age of Pushkin, Berkeley, 1985.

Senelick, Laurence (ed.), Russian Dramatic Theory from Pushkin to the Symbolists, Austin, 1981.

Russian Theater in the Twentieth Century

Benedetti, Jean, The Moscow Art Theatre Letters, London, 1991.

Stanislavski, London, 1964.

Benois, Alexandre, Memoirs, 2 volumes, London, 1964.

Black, L. Mikhail Checkhov as Actor, Director and Teacher, Ann Arbor,1987.

Boleslavsky, R., Acting, The First Six Lessons, New York, 1933.

Borovsky, Victor, Chaliapin, a Critical Biography, London 1988.

Bowlt, John E., Russian art of the Avant Garde: Theory and Criticism, 1902 - 1934. New York, 1988.

Braun, E., Meyerhold: Revolution in Theatre, London, 1994.

Braun, E. (ed.), Meyerhold on Theatre, London, 1969.

Bulgakov, Mikhail, Black Snow, London, 1967.

Checkhov, M., Lessons for the Professional Actor, New York, 1985.

To the Actor. New York, 1953.

Evreinov, Nicolas, The Theatre in Life, London, 1927.

Gershovich, Alexander, The Theater of Yuri Lyubimov, New York, 1989.

Golub, S., The Recurrence of Fate, Theatre and Memory in Twentieth Century Russia, Iowa,1994.

Gorchacov, N. Stanislavsky Directs, New York,1954.

The Theatre in Soviet Russia, Oxford, 1957.

Gorelik, Mordecai, New Theatres for Old, London, 1947.

Green, Michael, (ed.), The Russian Symbolist Theater: Playa and Critical Texts, Ann Arbor, 1986.

Houghton, Norris, Moscow Rehearsals, New York, 1936.

Return Engagement, New York, 1962.

Komissarzhevsky T., Myself and the Theatre, London, 1929.

Leach, Robert, Revolutionary Theatre, London, 1994.

Vesvolod Meyerhold, Cambridge, 1989.

Levin Dan, Stormy Peterel: The Life and Work Maxim Gorky, New York, 1965.

Proffer Ellenda, Bulgakov: Life and Work, Ann Arbor, 1984.

Proffer Ellenda, (ed.), Evreinov, a Pictorial Biography, Ann Arbor, 1981.

Rudnitsky, K., Meyerhold, the Director, Ann Arbor, 1981.

Russian and Soviet Theatre, London, 1988.

Sayler, Oliver M., Inside the Moscow Art Theater, New York, 1925.

The Russian Theater, New York, 1922.1987.th Century

Schuler, Catherine A., Women in Russian Theatre: the Actress in the Silver Age, London,1996.

Segel, Harold B., Twentieth Century Russian Drama, New York, 1987.

Senelick, Laurence, The Chekhov Theatre, Cambridge, 1997.

Senelick, Laurence, (ed.), Wandering Stars: Russian Emigre Theater, 1905-1940. Iowa, 1992.

Smeliansky, Anatoli, Is Comrade Bulkakov Dead?, Methuen, 1993.

The Russia Theatre after Stalin, Cambridge, 1999.

Stanislavsky, Konstantin, An Actor Prepares, London 1988.

Building a Character, London,1988.

Creating a Role, London, 1988.

Stites, Richard, Russian Popular Culture: Entertainment and Society Since 1900, Cambridge, 1992.

Tairov, Alexander, Notes of a Director, Miami, 1969.

Worral, Nick, Modernism to Realism on the Soviet Stage, Cambridge, 1989.

The Moscow Art Theatre, London 1996.

Wright, A.C., Mikhail Bulgakov: Life and Interpretations, Toronto, 1978.

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Film-North * Anatoly Antohin
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