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Founded in November 1996, Film-Philosophy is a 'salon-journal': an international para-academic 24-hour live-event version of specialised academic publishing, dedicated to philosophically reviewing film studies, philosophical aesthetics, and world cinema -- with an online readership of over 5000 individual visitors every month, as well as more than 1300 permanent worldwide members of the email discussion salon. Journal texts are published one at a time through the email salon, as well as on the website, so that they can be discussed and contested and continued by salon members.
Subjects of journal texts and salon argument include: Jean Baudrillard and 'Future Cinema', Rossellini, Jean-Luc Nancy, Continental film theory, Jean-Luc Godard, Robert Bresson, documentary film, Laura Mulvey, German cinema, Gilles Deleuze, cognitivism, Bela Tarr, cinematic ethics and social critique, avant-garde film, Slavoj Zizek, Abbas Kiarostami, David Lynch, DV Aesthetics, Lars von Trier, Wim Wenders, Bela Tarr, Mohsen Mahkmalbaf, David Fincher, Time and Memory, Leos Carax, Sharunas Bartas, Dogme95, Analytical Film Theory, Tran Anh Hung, Film as Thought, Jacques Derrida, Ken Loach, Phenomenology, Stanley Cavell, Robert Guediguian, Andre Bazin, Sound theory, Horror films, French cinema, Trinh T. Minh-ha, Stanley Cavell, Television studies, the New York Film Festival, Gallery Film-Art, Harmony Korine, Paul Virilio, Alexandre Sokurov, Postmodern Cinema ... etc.
projects: Demons: Dostoevsky, Camus & Me -- War of Terror texts: in focus: filmmaking 101 reading:  BioMechanics * * cine101.com
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