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"You name any horrific thing, and I can make a joke out of it." ~ Quentin Tarantino, 1994
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Directors Forum: if in class, I recommend to subscribe! KEY TERMS: GlossaryDVD: Drama & Art House, Studio Specials & Classics, New & Future Releases, Cult Movies filmmaking books film books Method for Directors? ShowCases: 3 Sisters, Mikado, 12th Night, Hamlet, The Importance of Being Earnest, Dangerous Liaisons, Don Juan prof. Anatoly Antohin Theatre UAF AK 99775 USA This page is connected with EditIT! From Footage to Montage: What does "A + B > A + B" mean? How to Read a FilmSubscribe to Open Class @ 200x Aesthetics Film & Video Directing (Spring 2004): textbook Grammar of the Film Language by Daniel Arijon SummaryQuestionsNotes2004-2006 updated
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yahoo video
examples of bad footage
sources: [list]
Footage is what you got after a day of shooting (rushes). And basically, what to do with the footage you got.In the darkness I watch the endless takes. Keep the editor near. Keep the actors out (a lot of bad things will said about them). This looks okay, but why the hell he blinked on this line! Another one, without blinking, is not that good. What, if wee keep the blinking shot, but cut on this goddamn blink to the reaction shot? So, we watch more. I do not remember, if I wrote anything about coverage and continuety, but those subjects are in every textbooks. You may not have this reaction shot, my friend. And never mind the technical waste -- bloopers are not funny, when you are a director, or the producer is watching the footage with you.
Always something is missing. And something is wrong. What to do? First, don't kill yourself over it, accept that it is a law of nature (of making movies). There are the pleasant surprises, too!
My advise, go after the key images; you need something to measure against. BTW, your crew and actors need those shots too!
BioMechanics links: atomfilms.com
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