1. This page was made before vtheatre.net/books directory (Schnitzler, playwright, picture above, hyperlinked). Before I made books and biblio pages in every directory (acting I, II, III, Directing, Drama). Consider it a doorway page to theatre books and do not expect updates.
2. Most titles are linked to Amazon.com and Questia.com! Or use search function (google does my sies too).
3. My Books and/or Textbooks are not updated.
4. For updates see NEW pages (also, in every directory).
5. HTMLgears (listings) are from the previous generation of my webpages, but the links are current.
6. At the bottom is support pages such as books, appendix, links, references, and etc.
7. My mailing list is the top under general directories. I mail out news with Anatoly twice/three times a year. Also, see filmplus.org/anatoly -- a blog I have.
8. Need more? Subscribe to forums I still use for classes I teach, look at archives, post your intro and questions. There are some pages for cyber students.
9. Many, many good sites and pages out there (links I try to list them, as I see them). Check out the your link page and submit, if you are webmaster (moderated lists).
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Theatre on the Web:
The book I need to get...
Good reading!
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Anatoly.org 2006
I teach theatre and use the "book pages" as a reference and reading lists. I do put commercial links on my pages (not anymore), like Browse Textbooks (B&N), because they are organized and I am not. I can't spend that much time to it searchable and develop the categories (monologue, scenes, plays, and so on).amazon.com * Mining Film: Books & Links * Listen, theatre is art. More. Theatre deals with literature. Good theatre -- with great dramatic literature. What does it mean? With the ideas! You better read the great thinkers of the past to have your great ideas for the present!Even the "books directories" are the new pages (2000) and in a non-business mode it takes months and years for such a "service" page to mature.
Originally, I was placing the books links on one page, then I try to put them on "subject" pages, but the websites grew and it became very difficult to mantain individual pages. Finally, I organized each directory as a WeBook with the title page and intro. If you saw the oldest Theatre w/Anatoly, you noticed that Acting, Directing, Script and etc. became online textbooks. Maybe this arrangement could help me to keep it under control. I try to collect all my two plus years of webbing experience under the title Webman's Diary.
projects: texts: reading: Links *
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Illustrated Theatre Production Guide: Illustrated Theatre Production Guide contains a brief history of physical theatres and the development of various forms such as thrust, proscenium, and black box venues. Operation of theatre equipment is covered in detail in the chapters on rigging and curtains. Instructions for operating a fly system and basic stagehand skills such as knot tying and drapery folding, are clearly outlined. The use of metal tubing as a structural element is explored as an alternative to wooden scenery. The chapter on lighting discusses electrical theory as well as the practical aspects of hanging and focusing lights. The final chapter in Illustrated Theatre Production Guide is a compilation of many different projects that are easy to approach and to complete, and have practical value for a theatre group. $24 0240804937
The Production Notebooks: Theatre in Process (Theatre in Process, Vol 1): (Paperback)
Theatre Audiences: A Theory of Production and Reception: Susan Bennett's highly successful Theatre Audiences is a unique full-length study of the audience as cultural phenomenon. It considers both theories of spectatorship and the practices of different theatres and their audiences. Published here in a new updated edition, Theatre Audiences now includes a new preface by the author, a new chapter on intercultural theatre, a revised conclusion encompassing the influences of cultural materialism and psychoanalysis on audience theory, as well as an updated bibliography. A must for anyone interested in spectatorship and theatre audiences.
Create Your Own Stage Production Company: The practical, step-by-step guidance packed into this book shows aspiring theatrical producers just how to set up and run a successful stage company. Starting with forming a company, the author explains how to establish and fund a budget; book a stage venue; obtain necessary licenses and insurance; see that health/safety regulations are in compliance with local laws; then cast, rehearse, and put the show on view for the public and critics. Details on the duties of the house manager, stage manager, technical crew, and box office help are all included, along with tips on publicizing and promoting shows.
How to Run a Theater: A Witty, Practical, and Fun Guide to Arts Management: The definitive arts management guide, this book is written with tremendous insight and humor and packed with dozens of lists, such as "22 Wonderful Ways to Improve Your Life in the Theater" and "20 Distractions that Erode Productivity." It provides information on improving an organization by building audiences, bolstering fundraising, and tightening finances. Also covered are tips for solidifying relationships with boards, volunteers, communities, and colleagues. It's all here, from managing one's own life, working with a board of trustees, and managing a team to negotiating, fundraising, marketing, and financial management. This resource will appeal to all those who work in arts management-from novices to veteran middle managers and executive directors.
Stage Management (7th Edition) (Paperback): The "bible" in the field of stage management, this book is a practical examination of the role of the stage manager in overall theater production. Full of practical aids such as websites and email addresses in every chapter, checklists, diagrams, glossaries, and step-by-step directions, this volume has been used and admired by students and theater professionals alike. It eschews excessive discussion about method or philosophy and, instead, gets right to the essential materials and processes of putting on a production. Perhaps most importantly, Stern has continued to keep pace with the technological and professional developments affecting the stage. For theatre professionals, or anyone with an interest in stage management/ theatre management.
2006 Theatre UAF Season: Godot'06 --
Film-North * Anatoly Antohin
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