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How did it happen? It did take place. I am leaving. This time is for good.

... I am not retiring in America. I worked here. I will die in Africa... I should have a "question mark" in my last statement.

u21

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"American African"?

TOPICS: drama + comedy + postmodern + time + space + past + present + future + death + sex + resurrection + family + generations +
vtheatre.net/amer/2008 and 2009?
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(new : 2005 * 2007 )

{ 2009 }

-- other "2009" pages.
2009 film-north
2008 -- I didn't expect to have this page. Nor 2009. I thought that 2007 was more than enough.

... Why do I need another two pages in Post-America (books)?

First, even in 2007 nobody talked about the "crisis" -- nobody saw it coming. What "Post-America"? Nobody reads my pages. Now ten years ago, not now.

Who thought that "victory over communism" could turn into world crisis?

The failure of the Russian America Theatre Program (RAT) could be and should be contributed not only to them, the Russians, but to Americas as well.

Them in Russia have to go through changes, but us?

We had to go through changes more than anybody else -- we won!

...

The world lost ability to remember (thanks, Bill Gates). Who now remember the "peace dividend" [Bush-Father?] The walls were falling (Berlin), countries were changing their names... even China was close to new history (1989)!

And good USA? What to remember?

Oh, the technology!

The political shame of "what sex is"... and the crash of "dot.coms"?

Go.dot'06 > Mamet in pomo.vtheatre.net ... and Pinter (Old World)
guide @2000-2003 film-north * NEXT: biz.vtheatre.net

vTheatre: pomo project'06 Save This Page

rate Film-North * Anatoly Antohin
2005-2008 by vtheatre.net. Permission to link to this site is granted. books.google.com + scholar.google.com

2007 support [ 0 ] [ 1 ] [ 2 ] [ 3 ] : pomo.vtheatre.net * Anatolant XXI blog * list * links * references * glossary * guide * appendix * biblio * american.vtheatre.net * Anatoly RSS * live.com/anatoly.org

keys.txt -- anatoly.live.com + antohin.wordpress.com

Can you read the signs? Semio-politics, again?