Total Acting FAQ

2007 : new pages 2009 Anatoly Antohin Theatre UAF Fairbanks AK 99775 * "acting is a state of mind." *

guide -- ?

This directory for professional actors and non-actors... I guess, for all of you? Lul-concept

[ 0 ] [ 1 ] [ 2 ] [ 3 ] [ topics : biomethod + biomechanics + method ]

[ advertising space : webmaster ]

eForum: Subscribe!
WWWilde Archives acting2 -- 2007 class :

stage :

monologues explore from ACTING1

scenes start with acting2

film:

... see books/biblio pages

NEW : Russian Schools of Theatre (RAT + chekhov.us & teatr.us)

NEW:
2009 * see T-blog and VT blog ! My places to watch for directing -- Total Director, stagematrix.com, meyerhold.us + teatr.us for LUL Theatre & stagematrix group [wiki]

new: 2003-2004 - filmplus.org/600 + filmplus.org/classes + filmplus.org/biomx + filmplus.org/2007 + filmplus.org/books + filmplus.org/spectator * 2006: flickr.com/groups/film-art

follow me on Twitter

www.flickr.com

This is a Flickr badge showing photos in a set called film. Make your own badge here.

acting.filmplus.org
books.filmplus.org
classes.filmplus.org
directing.filmplus.org pomo acting

{*} ... Director's Mind, Directions and Actor's choices : I have pages/chapters on DIRECTOR in Acting 1, 2, 3, Total Actor!

index * BioMethod Parts: I * II * III * IV * V * appendix * list * links * contents * Books * BioMechanics I * Biomechanics II * Directing * Script Analysis * Method Acting for Directors * SHOWS * Theatre Theory * Film * FAQ * Glossary * SPECTATOR * Virtual Theatre *

faq total acting

tour -- if Q/A is not enough!

Good directing is being able to see that things are going wrong in front of the camera, but the differences between a good or bad director are TASTE and TALENT.

What is talent?

...

[ Silence ]

Cut!

index

Total Directing
Stagematrix -- Fundamentals of Directing class *

film-north

The System (Method) falls into three sections, elaborated upon in Stanislavski's novels:

An Actor Prepares (1937) - This book explains how the actor must psychologically and emotionally prepare for a created role. Once it is created, the actor must personally develop it until he feels comfortable living as somebody else. Actors must ask themselves 'What would I do if...?' based on the circumstances surrounding their character. The System describes this as a personal reality.

Building A Character (1949) - This book deals with the external training an actor undertakes to communicate different aspects of a role. The stress here is on a physical and vocal approach to the role and how far these aspects can change to display aspects of the role while remaining in the character.

Creating A Role (1961) - This book gives detailed examples of how The System can be applied to various roles. The actor must make the role fit the script, but only after preparing the role and assuming it both physically and vocally. The actor must effectively consider and approach each line and every pause from the character's perspective. This helps the actor gain proper access to the subtext.

The Given Circumstance
This forms the context within which the actor asks the 'magic if', the basis for an actor and their role. The actor must believe in the given circumstances and appreciate it as the truth. The circumstances are: the play's narrative; its facts, events, epoch, time and setting; conditions of life; interpretation by the actor and director; and, finally, the design element - costumes, lighting, sound, etc. http://www.bbc.co.uk/dna/h2g2/A5133151

glossary

Cast & Typecasting

...

After 2008 : Elections & Acting (filmplus.org/politics)

"celebrity acting"

pomo.vtheatre.net & semiotics of acting

filmplus.org/d -- Total Director

NEW video page :