2008 and After -- 2009 LUL

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First Lul Conference, Addis Ababa, Jan. 2011 [ lul.vtheatre.net ]

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... LUL: LUL


Research Directory @ Film-North * Virtual Theatre * pomo.vtheatre.net

TOPICS: drama + comedy + postmodern + time + space + film600 + webshow + ... + Antoly UAF + virtual + spectator +
2006 new 2007

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Summary

I am not using this directory (it was built, when I thought about my online potfolio, long ago), but some subjects do not feed into my instructional pages (classes) -- and not ready for Theatre Theory directory (Theatre). (I do not have proper "film theory" directory -- and do not work on Film600 pages: "bad Theories, Wrong Subjects). This research directory is not link to other pages, therefore I will use it for ideas, which are not ready to go public. All my textbooks are for actors. So, how do you teach acting? New "acting for the camera" pages. The acting style of most American actors is based on the Stanislavsky System (usually known as American Method Acting). Students of acting need a thorough knowledge of this style of acting since they see it every day on American television and in American movies.
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Using the Internet for Academic Research NMSU * New Mexico State

Notes

This directory for my own use; I do not link it to my other pages.
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Research interests are in European theatre, especially playwrights, directors and theorists of the twentieth century.

2005: Chekhov 5

Theatre Conferences listing

The Auteur - ATHE ASSOCIATION FOR THEATRE IN HIGHER EDUCATION PLAYWRITING PROGRAM FOCUS GROUP

Conf 2006 Engl. Study

2007: web-year --

theory-links:


Index * Classes Online * Books * appendix * list * Film600 * Virtual Theatre * popup * The Book of Spectator * Write * Theatre Theory * Biomechanics *

Research... 2007

2005-2006 Year of Beckett
Finally -- there are several projects in need to be brought together: The Book of Spectator, Virtual Theatre and Theatre Theory directories.

Film600 (film research), not updated.

What to expect? The files and texts that do not feet into the above directories, will be moved here. I already have to many unfinished pages, which do not help the narratives (and confusing even me).

I advise you to start with "subjects" pages and go for Theatre Theory or this "Research" directory later. Why? Because something like new Spectator-Text, which evolved ftom the Book of Spectator (to leave the web-virsion alone; with pix and etc.) So, for a while the new pages will be mostly the notes for myself to work on. It could be a year or more beforethey get to readable shape.

I know that I made the instructional pages overloaded with "theory" passages and this is no good; especially for Fundamentals of Acting, for example. So, I keep moving the non-acting-one material to other upper levels, but, neverless, I have to keep them linked with the pages, where the texts began their lives. [I hope you understand the difference between horizontal and vertical narratives: web and postmodern terminology.]


... Let me repeat myself (from Film600 and script.vtheatre.net):

Where teaching and studying (research) meet --

Theme-thought, according to different playwrights (Shakespeare, Ibsen, Strindberg, Chekhov and so on) and directors (Fillini, Kurosawa, Tarkovsky, Bergman pages).

Connections with other themes (list): family, gender and sex...

Finally, my own practical investigations: shows.vtheatre.net (only recently I began to make themes pages, Don Juan 2003, for example).

And the nonfiction (writing), of course: HIM, Father-Russia, PostAmeriKa, Self, POV, Tech (gatepages are in WRITE directory).

Yeah, yeah, there is more -- "philo" pages, metaphysics: in theatre theory directory, for instance (topics-bar: space, time and etc.)

some web.vtheatre.net pages must be brought here -- pata, beyond...


Acting, Directing, Analysis

My Profile

still work-in-progress : Theatre Research files --

Next: Intro
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