2007
Bedford [ new bibliography by amazon ]

2008 : my library books.google.com

... Theatre

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The Dramatist's Toolkit

Solving Your Script

Art Of Dramatic Writing

100 Mono:

Oedipus The King

Richard Hornby "Script Into Performance: A Structuralist Approach"

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Russian Theatre :

Russian & Soviet Theatre (Rudnitzki) *

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Screen writing:

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Strindberg's Letters:

Havel:

Dario Fo:

Classic Drama...

African American Dramatists:

On Pinter:

Anoulih

Simon:

On Albee

T. Williams

Miller, Eassays

Playwrights at Work

Conversations with Stoppard

Conversation with Pinter

Conversations with Albee

Poetics * Aristotle

Oscar Wilde: The Critical Heritage by Karl Beckson; Routledge, 1997 (Wilde Page

Oscar Wilde: in Memoriam (Reminiscences)De Profundis by Bernard Frechtman, Andre Gide; Philosophical Library, 1949

...



TOPICS: drama + comedy + postmodern + american age + self + future + death + past + present + time + space + love + family + generations + god * 2007
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Theatre with Anatoly

Backwards and Forwards: A Technical Manual for Reading Plays by David Ball; Southern Illinois University Press, 1983 : - Part One: Shape - 1: What Happens That Makes Something Else Happen? - 2: And What Happens Next? - 3: But Do It Backwards - 4: Stasis and Intrusion - 5: Obstacle, Conflict - 6: Ignorance is Bliss (or: the Very Cause of Everyone's Lunacy About Hamlet) - 7: Things Theatrical - Part Two: Methods - 8: Exposition - 9: Forwards: Hungry for Next - 10: Missing Persons (character) - 11: Image - 15: Families - 16: Generalities: Mood, Atmosphere - 17: The Unique Factor - 18: Changing Eras - 19: Climax - 20: Beginnings/Endings - 21: Rereading - 22: What Next?

The Play: A Critical Anthology by Eric Bentley; Prentice Hall, 1951 - 1: Cyrano de Bergerac - 2: The Importance of Being Earnest - 3: The Miser - 4: Twelfth Night - 5: Othello - 6: Antigone - 7: Ghosts - 8: The Ghost Sonata 1907 - 9: Death of a Salesman

On Stage a History of Theatre by Vera Mowry Roberts; Harper & Row, 1962 - 1: The Ever-Present Beginnings - 2: Drama in Ancient Egypt - 3: The Golden Age of Greece - 4: Imitations and Innovations of the Romans - 5: Theatre in the Middle Ages - 6: Renaissance Theatre in Italy, France, and Germany - 7: Shakespeare and the Elizabethans - 8: Spanish Theatre in the Renaissance - 9: The Golden Days in France - 10: The Restoration in England - 11: Developments in England and America - 12: Cross-Currents in Continental Theatre - 13: Oriental Theatre - 14: European Romanticism - 15: Commercial Theatre in England and America - 16: Theatre's Great Revolution - 17: Theatre Today

World Drama from Aeschylus to Anouilh by Allardyce Nicoll; Harcourt Brace, 1950 - PART I: FROM ATHENS TO ROME - Chapter I The First Dramatist: Aeschylus - Chapter II: THE GLORY OF THE GREEK THEATRE: SOPHOCLES - Chapter III: THE DAWN OF REALISM: EURIPIDES - Chapter IV: ARISTOPHANES AND THE OLD COMEDY - Chapter V: FROM Menander TO THE MIMES - PART II: RELIGIOUS DRAMA AND PROFANE DURING THE MIDDLE AGES - PART III: THE DRAMA OF THE RENAISSANCE - Chapter 1: COMEDY, TRAGEDY, AND MELODRAMA IN ITALY - Chapter II: THE POPULAR PLAY: THE COMMEDIA DELL' ARTE - Chapter III: FRENCH ROMANTICISM AND CLASSICISM - Chapter IV: THE SPANISH STAGE UNDER LOPE DE VEGA AND CALDERON - Chapter V: THE INTERNATIONAL THEATRE OF THE JESUITS - PART IV: THE DRAMA OF THE RENAISSANCE: ENGLAND - Chapter I: THE POPULAR BEGINNINGS - Chapter II: SHAKESPEARE AND HIS PREDECESSORS - Chapter III: EARLY SEVENTEENTH-CENTURY TRAGEDY AND COMEDY - PART V: THE TRIUMPH OF CLASSICISM - Chapter 1: RACINE AND THE TRAGEDY OF SENTIMENT - Chapter 11: MOLI§«RE AND TRE COMEDY OF MANNERS - Chapter III: THE RESTORATION COMEDY OF MANNERS - PART VI THE AGE OF GENTILITY, PHILOSOPHY AND SENTIMENTALISM - Chapter 1: TRAGEDY AND OPERA - Chapter II: THE GROWTH OF BOURGEOIS COMEDY - Chapter III: THE WAVE OF SENTIMENTALISM - PART VII: THE ROMANTIC THEATRE - Chapter 1: FROM TRAGEDY TO MELODRAM - Chapter II: COMEDY AND EXTRAVAGANZA - PART VIII: FROM THE MIEDIEVAL TO THE MATERIALISTIC - Chapter I The Realm of Fancy - Chapter II: THE COMING OF REALISM - PART IX: REALISM'S TRIUMPH - Chapter 1: THE TRIUMPH OF REALISM: Ibsen - Chapter II: STRINDBERG AND THE PLAY OF THE SUBCONSCIOUS - Chapter III: THE INDEPENDENT THEATRE IN GERMANY - Chapter IV: THE PLAY OF IDEAS IN FRANCE - Chapter V: REALISM IN DIVERSE LANDS: ITALY, SPAIN, ENGLAND, RUSSIA - Chapter VI: NEO-ROMANTICISM IN THE THEATRE - PART X: THE DRAMA OF THE ORIENT - Chapter I: THE SANSKRIT DRAMA - Chapter II: THE DRAMA OF CHINA - Chapter III: THE JAPANESE DRAMA - PART X: ENTERING THE TWENTIETH CENTURY - Chapter 1: THE RELICS OF THE OLDER REALISM - Chapter II: THE EXTENSION OF THE REALISTIC - Chapter III: THE THEATRE SYMBOLIC AND THEATRICAL - Chapter IV: THE POETIC STAGE - Chapter V: PURPOSEFUL LAUGHTER: GEORGE BERNARD SHAW - PART XII: DRAMA BETWEEN TWO WARS - Chapter 1: THE AMERICAN ADVENT - Chapter II: THE DRAMA OF THE INDIVIDUAL - Chapter III: THE EXPRESSIONISTIC MOVEMENT - Chapter IV: REALISM, SOCIAL AND OTHERWISE - Chapter V: THE COMIC SPIRIT AND SOCIAL UNREST - Chapter VI: THE VOGUE OF THE HISTORICAL PLAY - Chapter VII: THE REVIVAL OF POETIC DRAMA - Chapter VIII: EUGENE O'NEILL - PART XIII: THE THEATRE IN THE MIDST OF WAR, AND AFTER - PART XIV: CONCLUSION

Happy Days: A Play in Two Acts by Samuel Beckett; Grove Press, 1961

lib.ru/PXESY PLAYS in Russian *

new-2006

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biblio

playwrighting.net -- playwrighting page

... and other play writing pages.

index

drama eserver *

* see biblio pages in other directories (list) + amazon stores, like astore.amazon.com/plays-20 (bottom).

Also, related : astore.amazon.com/theatre-20


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