next: chapter 5: Moviemaker's Eye (70)
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next: chapter 5: Moviemaker's Eye (70)
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Screen Language -- Right and Wrong (Sentensences & Statements)
Film as a Reproduction of Consciousness -- Brains at Work / Spectatorship
The Need for Humane Voice -- Choices : Selection
The Elments of Film Language -- Shots / psychology-physiology (5Ws of camera) = (motivation)
Fixed Camera Position -- mise-en-scene
Moving Camera -- montage
Traveling Camera Movements
Shots in Juxtaposition -- cut
POV
The concerned Observer and the Storyteller
Scene Axis and the Acted Upon
Text and Authorship Essentials
Subtext
Authoral POV
Organic / Inorganic Metaphors -- signs (semiotics)
Unacceptable POV
Screen Direction and Angles
Changing Screen Direction
Different Angels on the Dame Action
Abstraction
Subjectivity and Objectivity
Duration, Rhythm and Concentration
Sequence and Memory