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Federico Fellini: Interviews edited by Bert Cardullo [books.google.com]
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La Strada
Fellini in 334 class -
The aesthetics of Fellini's Art as Seen through its Ties with Popular Entertainment : Saša Perugini, Tufts University, 2001
... Film Theatricality : Film history can thus be understood as an extension, as well as as a transformation by technical means, of theatricality, therefore making film, according to the French critic André Bazin, the true source of a new theatrical aesthetic in the 20th century. Beginning with French cinema of the 1930s, especially that of Jean Renoir (La règle du jeu, 1939), and continuing with a Hollywood production (Ernst Lubitsch’s To be or not not be, 1942), the films of Italian post-war cinema (e.g. Federico Fellini’s La strada, 1954), the French Nouvelle Vague (e.g. Jacques Rivette’s Paris nous appartient, 1960), and the cinema of Northern Europe (Ingmar Bergman, Persona, 1966), the course will attempt to trace the development of theatrical aspects of film aesthetics from the early sound movie up until its recent rediscovery in the work of contemporary filmmakers such as Pedro Almodóvar (Todo sobre mi madre, 1999) and Lars von Trier (Dogville, 2003). http://www.univiu.org/undergraduate/fall_2007/f0708/syllabus
Knopf, Robert (2004) (ed.): Theater and Film: A Comparative Anthology. New Haven/London: Yale UP
FILM amazon
2005-2006 Theatre UAF Season: Four Farces + One Funeral & Godot'06
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